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Dogon Tribe
This nOde
last updated December 17th, 2004 and is permanently morphing...
(3 Ix (Jaguar) / 17 Mac - 94/260 - 12.19.11.15.14)

THE DOGON TRIBE
In 1995, two French Astronomers
published the results, after years of study, and stated that a small,
red-dwarf star seems to exist in the
Sirius
star system...
The Dogon people live in the Homburi Mountains near Timbuktu. At the center of their religiousteachings is knowledge about a star that is invisible to the eye and so difficult to obsevrve -- even through a telescope -- that no photographs were taken of it until 1970. The Dogon say they received their knowledge by visitors to the earth from another star system.
The star they describe is Sirius B. Its existence was first suspected by Western astronomers in 1844, when irregularites were noticed in the movement of Sirius. It was supposed that Sirius must be affected by a second star, and in 1862 a faint companion star was finally detected. Sirius B is a white dwarf that, although small and faint, is extremely dense and heavy enough to exert an influence on Sirius A.
The Dogon name for Sirius B (
Po
Tolo) consists of the word for star (tolo) and "po," the name ofthe smallest
seed known to them. By this name they describe the star's smallness -- it is,
they say, "the smallest thing there is." They also
claim that it is "the heaviest star," and white. The Dogon thusattribute to
Sirius B its three principle properties as a white dwarf: small, heavy, white.
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They go on to say that it
has an is elliptical orbit, with Sirius A at one foci of the ellipse (as
it is), that the orbital period is 50
years (the actual figure is 50.04 +/- 0.09 years), and that the star
rotates on its own axis
(it does). The Dogon also describe a third star in the Sirius system, called
"Emme Ya" ("Sorghum Female"). In orbit around this star, they say, is a
single satellite. To date, Emme Ya has
not been identified by astronomers.
In addition to their knowledge of Sirius B, the Dogon
mythology includes Saturn's rings, and
Jupiter's
four major moons. They have four calendars, for the
Sun,
Moon,
Sirius, and Venus, and have long known that planets
orbit the sun.
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The Dogon say their astronomical
knowledge was given to them by the
Nommos,
amphibious beings sent to earth from
Sirius for the benefit of mankind. The name comes from a Dogon word
meaning "to make one drink," and the Nommos are also called Masters of
the
Water,
the Monitors, and the Teachers.
The Nommos were more fishlike than human, and had to live in water. They were saviors and spiritual guardians: "The Nommo divided his body among men to feed them; that is why it is alsosaid that as the universe "had drunk of his body," the Nommo also made men drink. He gave all his life principles to human beings."
The Nommo was crucified and resurrected and in
the future will again visit the earth, this
time
in human form. Later he will assume his amphibious
form and will rule the world from the waters. Dogon mythology is known
only by a number of their priests, and is a complex system of knowledge.
Such carefully guarded secrets would not be divulged to friendly strangers
very easily. If the star Emme Ya is eventually
discovered in the Sirius system, this would give considerablyweight to
the Dogon's story.
* NOTE CITE: BENEST, Daniel and Duvent, J.L. "Is Sirius a Triple Star?" ASTRONOMY AND ASTROPHYSICS. (Volume 299, 1995) pp. 621-628. -- In 1995, two French Astronomers published the results of years of study, stating that a small, red-dwarf star seems to exist in the Sirius star system. They have detected a peturbation in the orbit that cannot be explained by any other means. Article was received, October 11, 1994, and accepted for publication on November 8, 1994.
The Dogon are believed to be of
Egyptian
decent and their astronomical lore goes back thousands of years to 3200
BC. They are in Mali, West Africa.
The Saturn system is a very interesting one... no doubt why they are sending that Cassini probe out to investigate some more (ETA 2004). You will find some very interesting stuff about it in the first chapter of Temple's "The Sirius Mystery", especially about Phoebe:
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"... I realized the Dogon
might be suggesting that the base of the Nommos is parked in the solar
system as the tenth moon of one of the outer planets. Neptune doesn't have
ten moons, so that was out. It didn't take me long to realize that the
tenth main moon of Saturn is anomalous in the solar system, and is the
only one which seems to have a smooth surface without craters or other
lumps and bumps. Its name is Phoebe. It has a retrograde orbit around
Saturn wildly different from all the other Saturnian moons, so that when
our space probe photographed the moons of Saturn, Phoebe was the only significant
one which was not close enough to give a good photo. (At the time I suggested
Phoebe as a possible artificial body it was several years before this space
probe, and I was deeply disappointed that the probe was unable to produce
much more
information
about Phoebe). Phoebe is about 160 kilometres in diameter, but its mass
seems to be still unknown, so that we cannot make statements about its
composition. It orbits Saturn every 523 days, 15.6 hours. In 1982, following
the
Voyager
results, I asked Brad Smith of the University of Arizona Department about
Phoebe and he said 'as far as we can see it is 'perfectly' round'. He also
pointed out that it was too large to be a degenerate cometary nucleus.
He said it had only 3% reflectivity. ... it could be that Voyager One might
have triggered a local alarm by entering the Saturn system, and thus awakening
the Nommos. The whole design might have been that simple and elegant. It
avoids artificial or questionable criteria and sets as its absolute threshold
the entering of the Saturn system by an artificial probe (of whatever kind,
since this plan would enable an alarm to be triggered by an extraterrestial
as well as by an Earth probe). The entering of the Saturn system would
thus constitute a tripwire which would have activated the Nommos in 1981...
We should not forget that the Dogon say that the Nommos will return, and when they do it will be called The Day of the Fish. The first indication of their return, say the Dogon, will be that a new star will appear in the sky - the 'star of the tenth moon' will have returned...
I speak of all this as if I believed it. Do I believe
it? However much verification occurs, the hypothesis of contact with Sirians
remains a hypothesis until
contact
is re-established, and then we don't need to wonder anymore because it will
have become obvious."
The gods of the Dogon are pairs
of twins, which is a common theme of
shamanism
the world over.
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musical entity Dogon
waveforms:
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releases:
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Disc 1
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Disc 2

This two-disc NEWdOG release contains
Dogon's critically-acclaimed first album, _Notdunjusta_, with the addition of
a disc of remixes of that album as well as a couple early solo cuts by
Dogon's members, Venezuelan Miguel Noya and American Paul Godwin. The duo is
percussively inventive and original in the same way that
Aphex
Twin is. They use anything that is necessary to impart their rhythms. Often
the source of percussion is sampled vocal bits that act not as voices but as
musical notes and textures, as on _Chet's Dream_, in which a vocal motif-more
like sinister pagan chanting-opens the song before spreading into the lovely,
almost childlike, melody. "Humedo" even progresses over top what sounds like
typewriter clicks, and with its Middle Eastern feel, comes out both sacred and
essential-sounding. _Notdunjusta_, in general, blends ethnic influences with
spacey techno and nervous
drum
'n' bass.
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Sometimes percussive elements morph into melodies
themselves. On _Lleno_,
bubbling
synth notes and electronic squelches weave in and out of womb-like bass
pulses
while the song's melody created by piano and cello exists almost subliminally
off in the background, as if it is
filtering
in from speakers. It's almost like a symphony happening out in the real
world has transfused through the skin of an expectant mother and mixed
with the blood and internal sounds of the body. In fact, Notdunjusta takes
the force and instrumental texture of the symphony into lush electro-
ambient
spaces, building and subsequently undercutting momentum with unequaled
evocative command to the point that Noya and Godwin can take a listener
anyplace they please. The album is pastoral in the sense that it paints
detailed backdrops and locales, though they are not entirely the province
of either urban or rural
dimensions,
often seeming imaginary or
surreal,
as if they have one foot in this world, one foot in a place of disorientingly
placid mechanization. The feeling is almost
utopian-or
perhaps dystopian, it is never fully revealed. The album ends on a note
both pastoral and, like it began, womb-like, as "Brainstorm at Redrock"
showers the listener with turbulent ocean
waves,
rain, and a heart beat. The sense it leaves is one of textural consistency,
but that consistency could be either serene or darkly glistening,
as if something may be lurking beneath the surface.
_Redunjusta_ is much more
incendiary and frenetic than its parent album. Drum & bass beats and
dubbed-up
bass splay manically throughout the songs courtesy of top remixers such
as NYC's M'Lumbo, citymates Reza and Seer, and labelmate Jhno. Even
the most ambient of songs, in these hands, whips into electronic mayhem
and mystery, and the dimensions it adds to the music is incalculable. Instead
of just serene head food, _Redunjusta_ is kinetic and move-worthy.
-- Stanton Swihart