I am old enough to have lived through the last collective bid by a counter-culture to regenerate the West in what people call the hippie era. Vital seeds of a new way of life were sown and lives were changed but the revolution of consciousness failed to go further than the minds of white, middle class youth. My own response to this failure was to become a perpetual student, to use my academic career to investigate history, culture and alternative realities from the safety of lecture halls and libraries. I ended up analysing the political equivalent of cancer, fascism, in a protracted case-study of how vital spiritual and mythic energies can be mischanneled into destruction.
Then I discovered something that, for someone who
had who had taken the idealism of the 60's literally, was a dream
come true: the rave. Big raves, small raves, expensive raves, free
raves: going to raves, it became luminously clear that something very
special is happening, not just to those who go, but to modern
society. Essentially, I saw people going back to one of the
original meanings of music, to the root experience of trance
and dance: transcendence. It is dangerous to
theorize about rave culture. It atkes many forms. It has
sides that are pseudo, commercial, empty, boring, cynical,
self-destructive and tragic. It can be no more than a pretext to
take drugs. It may act as a superglue holding together lives that
are otherwise full of despair and emptiness. Not everybody has a
good time all of the time. But perhaps that is
all part of rave's alchemy.
It takes the private energies, negative and positive, sorted and unsorted, co-ordinated and unco-ordinated, and transforms them into a whole infinitely greater than the sum of its parts. When the music, the setting and the people gel, when a critical mass of collective energy and euphoria is reached, then the raver enters a state the Greeks in their Dionysian rituals called "enthusism", or "revealing the god within".
At the point when the darkness of the rave becomes enlightenment, some of the vacuous cliches of the 60's counterculture turn to reality. Class, generation, gender, ethic and political conflicts melt, individuals are temporarily reborn. They become participants in something much greater than themselves. The microcosm of the small self moves to within sparking distance of the macrocosmic Self. The old personality is temporarily destroyed to give rise to the new, laying bare the deeper meaning of 'recreational' experience. The neo-cortex is reconnected to the limbic brain, the mind teams up with the body instead of behaving like its master.
The human brian has three different genetic layers: old, middle and new. The limbic is the oldest, dealing with the fright, flight and andrenaline necessary for basic survival. It is also the part of the brain that responds to rhythm. The newest part of the brain, the neo-cortex, is where the higher cognitive powers of math, awareness and abstract thought are formed.
One of the things that happens at a good rave is that these two parts of the brain get properly wired up. There's a coming together of mind and body. With this union the regenerative experience of years of therapy are packed into a few hours of release and internalized deep within the body memory as a reservoir of hidden psychic strength. Historically Jungian, re-birthing and most non-Freudian therapies have attempted to find a harmony between the inner and outer, the animal and higher brain. What can happen in a rave is that you temporarily get a sense of oneness with you mind, body and the people dancing around you. It's like a mainline to a state that is theorized about but difficult to achieve.
With dance and music temporary neuroses get suspended - it's like a sustained glimpse of a higher state of being. If this force could ever permeate society as a whole, the cancers of greed, materialism, nationalism and ecological destruction would finally be reversed.
Through a synergy between technology and creativity, avant-garde and popular music, alternative and popular culture which could never have been anticipated and never happened at any other point in history, rave culture has rediscovered the deepest significance of the dance. Not through books but through experience. Dance originally had a deep ritual significance. Dance originally enacted the eternal rhythm of creation and destruction that lies at the heart of life, energy and matter itself. Dance was the door that opened into paradise, perpetually present as a virtual reality but invisible in "normal", non-ritual life. Dance was the means of communicating directly with the goddess. Dance was performed in the original labyrinth in Crete as the magical act that would enable the spell of the Minotaur to be broken.
The Greeks even had two words
for these two types of time: khronos, meaning clock-time, and
kairon for this other, suspended, magical, party time.
Rave culture allows the hologram of another dimension to shoot out of the two-dimensional poster of everyday existence. When the lone dancer connects with the collective experience by moving to the music, the latent magic of life becomes blatant. It is an experience accessible to anyone prepared to let their 'self' go. The ravers keep their individual identity but simultaneously behave like the pixels of colour forming the surreal patterns generated on computers by the equations of chaos theory. This is also spiritual democracy. Every 'good' rave offers the chance to visit an Edenic time before time, to re-enter the paradise of integrated being. The meaning of any of these words about rave culture cannot be discovered by simply reading them. You have to dance to the music and find the collective rapture that has inspired these words. In the beginning was not the word, but the dance. In a few generations, a twinkling of the cosmic eye, technology has succeeded in destroying the balance of earth's eco-system. It is a sublime paradox that, as the end game of human history plays itself out, an offshoot of this same technology is providing a growing number of those condemned to live in this blighted civilization with a way to re-establish our harmony with creation, to achieve transcendence, to return to the source.
- from the liner notes of
_Deep Trance and Ritual Beats_ CDx2 on Return
To The Source